
Generators
June 16–June 18, 2017
Critical Distance Centre for Curators - Toronto, ON
Erika DeFreitas, Edie Fake, Marc Fischer/Public Collectors, Dina Kelberman, Nellie Kluz, Sanaz Mazinani, Eric Oglander, and Leah Wellbaum
Original Exhibition Text:
Critical Distance and the Toronto Art Book Fair are pleased to present GENERATORS, curated by Anthony Stepter and featuring Erika DeFreitas, Edie Fake, Marc Fischer/Public Collectors, Dina Kelberman, Nellie Kluz, Sanaz Mazinani, Eric Oglander, and Leah Wellbaum.
How do we see art in the age of image and information overload? Is a gallery the best place to look, or is the internet’s efficiency and long reach a better tool for engaging with the ideas artists are interested in? What about the reliable old standby, printed books?
The artworks on view in this exhibition highlight the fluidity of media in contemporary culture. Each project in Generators is guided by a single idea, approach, or rule. These frameworks generate troves of material for the artists to assemble and present in a manner that invites viewers to make connections that might otherwise go unnoticed. Many of the artworks draw from, or exist as, both printed media and digital spaces. These transmutations afford artists and viewers illuminating points of entry for exploring the unique properties of both printed and digital narratives without being constrained by traditional definitions of the archive and the artist’s book.
Selected from a joint call for submissions issued by CDCC and TOABF, Generators celebrates the astonishing diversity of outcomes that can arise from intentionally constrained modes of collecting and creating. The exhibited works circulate through a variety of platforms, from humble Tumblrs to museum exhibitions. By focusing on projects that start with simple ideas but evolve to open up wide ranging possibilities for engagement and display, Generators pushes against notions of presentation that privilege one form of media over another.
Dina Kelberman, I'm Google, 2011-Ongoing, Website (Center); Marc Fischer/Public Collectors, Hardcore Architecture, 2014-Ongoing, Risograph printed posters, zines, Sizes Vary (Right)
Works by (L to R) Sanaz Mazinani, Dina Kelberman, Eric Oglander, and Edie Fake
Works by (L to R) Leah Wellbaum, Eric Oglander, and Edie Fake, and Sanaz Mazinani
Eric Oglander, Craigslist Mirrors, 2013- Ongoing, 2016, Website and Hardbound Book (Center/Front); Edie Fake, L'il Buddies Vol. 1; L'il Buddies 2, 2013, zine, silkscreen cover with full color offset images (Center/Rear); Sanaz Mazinani, Works from Bookcase, 2004, Chromatic Prints (Rear)
Edie Fake, L'il Buddies Vol. 1; L'il Buddies 2, 2013, zine, silkscreen cover with full color offset images
Edie Fake, L'il Buddies Vol. 1; L'il Buddies 2, 2013, zine, silkscreen cover with full color offset images
Marc Fischer/Public Collectors, Hardcore Architecture, 2014-Ongoing, Risograph printed posters, zines, Sizes Vary (Center); Erika DeFreitas, A Visual Vocabulary for Hands in Mourning, 2013, Digital Photography
Erika DeFreitas, detail of A Visual Vocabulary for Hands in Mourning, 2013, Digital Photography
Nellie Kluz, Liquid Inbox, 2016, digital video, 4:41 minutes
Leah Wellbaum, "The Fucking Ocean, part one; The Fucking Ocean, part two", 2015, Digital Photography
Leah Wellbaum, "The Fucking Ocean, part one; The Fucking Ocean, part two", 2015, Digital Photography
Installation view of Generators, presented at Critical Distance Centre for Curators during the 2015 Toronto Art Book Fair